There has never been a better time than now for Canadians to start a home based business. Why? With the economy in the dumps and jobs being lost all over the world, more and more people are looking to work for themselves instead of someone else, giving them more control over their own destiny. On top of that, the growth and maturity of the internet has allowed huge numbers of people to work online from the comforts of their own home. Below I'll discuss the advantages of working from home in Canada and reveal the one secret that appears to make or break an online business. So, the question becomes, are you ready to work from home Canada?
One advantage is that in 2008 the United Nations Human Development Index listed Canada as having the highest quality of life worldwide, making it an ideal place to live and raise a family. What better reason could one need to start a work from home business when living in such a great country?
Another advantage of having a work from home job in Canada is that much of Canada has a colder climate. Who wouldn't prefer to work from home instead of having to commute to work on those cold mornings, not to mention dealing with all the snow in Winter?
Finally, the start-up costs of a business in Canada are among the lowest around. It costs only about 0.4% of the average income of one person and minimal capital is 0%. In other countries, it takes an average of 15.5% of annual income as minimal capital required to start a business. If you live in Canada, you've got to like that style. Those Canadians connected to the internet and that work from home Canada style are enjoying the excellent quality of life instead of being stuck in an office cube every day.
Of course, we can't just quit our current jobs today and start an online business tomorrow and expect money to suddenly start rolling in. Another advantage of online work is that it can be done part-time, during any hour of the day, and without having to rely on others time schedules to get things accomplished. Many individuals start their online businesses part-time and build it up to the point where they can quit their regular job.
While researching online opportunities, avoid those that talk of making millions overnight with little or no work. That is all hype and swindle and never happens. However, with good training, a solid product or service, and consistent effort, you can make a substantial income leveraging the internet. In fact, the one secret that appears to separate those who are successful online from those who are not, is consistency of effort. Too many people join free or low-cost programs only to quit a few months later, discouraged, because they aren't getting the results they expected. Whether it's a work from home Canada, U.S., Mexico, India or European business, one should be prepared to consistently put in the effort required to be successful.
As there are many online opportunities available, you'll want to look for some specific features in a program to help narrow your search to those that will get you started quickly, and effectively. Look for one that offers top-notch training and mentoring. This is crucial since you don't want to make the same mistakes others have. Look for a program that doesn't require you to sell to family and friends. No one wants to do that. A good program will have a significant payment plan that rewards you and encourages your sponsor to help you succeed. Look for a program that offers a fast-track plan to get new members profitable quickly while learning the ropes. To learn more about this successful, Work At Home Canada program, whose CEO is Canadian, please visit http://karldieterich.com. And remember, you can be successful if you simply choose not to quit.
Jan 29, 2011
Jan 25, 2011
The Family - The People of the Astrological Houses
The most important thing that we do in our experience is to relate with one another. To not be able to relate successfully makes life very difficult for many. I have done thousands and thousands of sky maps for thousands of people over my long years of being a professional astrologer. Probably the single thing that was most important to the person being read was relationships of all varieties. At the end of life, relationships or the lack of them were what was valued most, regretted most and controlled the end of life circumstance the most. At the core of relationship issues are the initial and primary relationships we form with our early family. Here is where our values are established and developed to become the basis for the relationships we build for ourselves in our future. As we mature, we form our own individual family circles plus a myriad of other relationships into which we enter. Family is where we begin our journey to understand and develop all relationships.
In previous articles I have written about the parental axis, the 4th/10th houses of any sky map, as well as the individual maternal and paternal roles. However, the family is not just our parents or lack of them. Each of us has a long, rich history within our family, good guys and bad guys. There is a genetic heritage. Yes we can see the physical characteristics that are handed down through the gene pool. But there is far more than what we inherit from our families on other levels. I am exploring this family astrological heritage step by step through a series of articles.
Any sky map is constructed with the earth (on which we all exist) in the center and the cosmic energy pattern existing around that central core. If we were on the Moon, sky maps would be constructed with the Moon in the center. On Mars, Mars would be in the center, etc. The wheel shape is called "the chart" and the divisions are called "houses." There are 12 divisions of the houses just as there are 12 sign divisions for the zodiac. The signs show mannerisms, expressions and are descriptive in nature. The houses illustrate 12 compartments or arenas of physical experience. Each of those twelve houses therefore must contain numerous issues and also the people in your life. The whole of the wheel maps the whole of your life, every single thing. The trick is to learn to read that sky map successfully, which can be more involved than it seems. Our focus for this article will be on the people represented by the houses, particularly the members of your family.
Houses General house information will help us reach the point where we can see the validity of the people representations. Remember that the 12 houses begin with the ascendant and are listed counter-clockwise from that point around the wheel. Psychologist Carl Jung divided human expression into four categories: intuition, emotion, sensation, and thought. In brief:
? The left half of the wheel (rising planets) represents the development or the interests of self.
? The right half of the wheel (setting planets) represents involvement with others or the interests of others.
? The bottom half of the wheel represents the time from dusk to dawn, the introspective, internalized, reflective self.
? The top half of the wheel represents the time from dawn to dusk, the externalized, participatory, extroverted self.
? The four angles of the house wheel represent the point of beginning for each of the four quadrants of the chart.
? The general activity of all four chart quadrants are in this order from the Yung perspective: intuition, emotion, sensation, thought.
? The ascendant is the angle that begins the personal, subjective first three houses of intuition (1, 2, 3).
? The IC or 4th cusp is the angle that begins the subjective, other involved next three houses of emotion (4, 5, 6).
? The descendant is the angle that begins the external, other involved three houses of sensation (7, 8,9).
? The midheaven is the angle that begins the external, self-interest three houses of thought (10, 11, 12).
These few sentences describe the hemisphere and quadrature influence of houses. In addition,
? The angular house for each quadrant is dynamic active, visible, directly related to the individual.
? The succeedent house follows the angular house in each quadrant (succeeds the angle) and represents establishing, building, formalization of that quadrant's issues.
? The cadent house follows the succeedent house and represents adaptation and promotion.
? In brief, the angular house activates, the succeedent house formalizes, the cadent house promotes the issues of a quadrant.
? The round of the three types of houses begins again at the next angle.
There is one more explanation of the cadent house that will help you understand its role better. Adaptation is the key word here because the dynamic influence of the angle is followed by the establishment influence of the succeedent house, which is a logical sequence for experience. However, it would be difficult to move from building brick by brick (establishment) to the dynamic activity of an angle because form would tend to resist the initiation of something new. The cadent houses bridge this gap between the establishing principal of one grouping of three houses (quadrature). and the dynamic principal at the beginning of the next grouping of three houses (quadrature). Using this rationale:
? The 3rd house bridges (adapts) the subjective self-aware first quadrant as it encounters the subjective awareness of others or emotional quadrant initiated by the 4th house. Intuition gives way to emotion.
? The 6th house bridges (adapts) the subjective awareness of others quadrant as it encounters the objective awareness of others or sensation quadrant initiated by the 7th house. Emotion gives way to sensation.
? The 9th house bridges (adapts) the objective awareness of others quadrant as it encounters the objective awareness of self or thought quadrant initiated by the 10th house. Sensation gives way to thought.
? The 12th house bridges (adapts) the objective awareness of self quadrant as it encounters the subjective awareness of self or intuition quadrant initiated by the 1st house. Thought gives way to intuition.
? The cadent houses are therefore key to understanding the point of flux, adaptation, bridging within the chart and are definitely more important than surface reading would indicate.
If you will add this information on the houses with what you already know about the houses, this material should add a layer to your understanding. Read slowly and re-read as necessary.
People of the Houses Who are the people represented by the houses? Everyone in your life is in that wheel somewhere. We will begin with the four angles and the technique we will use is the derivative house system or what I call "wheeling the houses."
Self Many are aware that the cusp of the first house is called the ascendant and represents the physical presence of the person or entity represented by that sky map. Much of the descriptive reading about a person comes from that cusp and that house as well as that person's personal projection, response to its environment and coping skills. This is how the world sees us, through the filter of the sign on the ascendant and the planets in the first house. In brief, the first house and its cusp represents the most personal point of the physical self, the "me" point of the wheel.
Partner Diametrically opposed to the ascendant is the descendant or 7th house. This is the point of the chart that is farthest from the point of self and may be described as the not self or the shadow self. This point represents the qualities we do not want to embrace and that we project onto another (partner). It is interesting that this represents the point of committed or contractual partnerships whether those relationships are personal (such as marriage) or business (such as partnership). Our committed partner is supposed to represent all the things we do not choose to express. What action do we do at this cusp? We commit to a person, walk into a house, lock the door behind us and attempt collectively to turn the house into a home. The way to a successful conclusion is to learn from that partner and embrace our own lesson. That way we can be with a person because we choose to, not because we must go to school with them as teacher.
Parents The 4th/10th axis (cusps) represents our parents (or lack of them), the parental roles themselves. I want to back up for a moment and mention that this pair of houses is called the security axis and represents our internal and our external security needs. Our parents are supposed to fulfill that role or to at least prepare us for that role. There is a great deal of controversy as to which parent belongs in which of the two houses. I did cover that concept in three previous articles so I will not repeat that information here. Briefly, the 4th house parent's job is to offer internal, subjective security, also known as the family. The 10th house parent's job is to offer or prepare us for external, objective security, also known as making our way in the world successfully. Some people get lucky and the parents fulfill their roles well. Some people are not so lucky because dysfunction exists which can cause the individual lifelong problems. Not every parent is equipped for the role they have chosen. Some people take the lemons they received from their particular spin of the parental wheel and they make lemonade. I encourage that.
So far we have ourselves (ascendant), our partner (descendant), our parents (both, either, or). What about all the other people that comprise our families? Where can they be found in the wheel?
Grandparents The parents have been shown to be the 4th (and its axis partner 10th) from the 1st house of self. Where are the parents of your parents? They must be located in the 4th house from your parent cusp. You always count starting with the house you are questioning, such as the 4th house parent. Put your finger on that house counting "one" then count forward (counter-clockwise) one house at a time until you reach the 4th house of that 4th parent. That would be the 7th house. The same action would be taken for the 10th house parent but it is unnecessary to repeat the exercise, just look to the axis partner of the 7th or the 1st (you). So your grandparents (you have four) are found on the ascendant/ descendant axis. There are only two houses in this count, so two grandparents belong in one house and two belong in the other. It will take a little work on your part to sort this out, but this is where you go to find the answers.
You will probably have genetic hand-me-downs from your grandparents. Two will have great similarities to you, those who are represented by the 1st house and ascendant. Two will seem less related as they occupy your 7th house of not-self. That probably is part of the generation gap. Physical and non-physical characteristics from those grandparents will evidence in you just as you will pass on certain characteristics to your grandchildren. My deceased father's contribution to my kids and my grandkids is a specific sense of humor. My mother's love for dancing and music has shown up as well in my kids and my grandkids as has my paternal grandmother's beautiful singing voice. My parents and their parents are alive and well in the genetic contribution they gave us all within our family. Thank you for the gifts.
Partner's parents and grandparents What if you marry? The 7th house will describe your partner and your marriage. It should tell you what and who you are looking for, what you want someone else to do in place of you, and what you are not comfortable with within yourself. At times you are grateful. At other times you will fight the process (and the person). That partner has parents and so those parents will be the 4th from the 7th (and its partner) and we are again back to the 4th/10th axis in the chart. Hmmm. So far we are getting a large number of people in very few houses. Perhaps that will help explain why astrologers concentrate on the angular houses. Hang in there, we will move outside the 4th/10th axis shortly. Your spouse has grandparents (4) as well and they will be shown by the 4th of the parent or the ascendant/descendent axis. Getting crowded isn't it? Again, this can take some effort but this is where you begin.
Multiple Partnerships All committed relationships are a 7th house issue. It illustrates what you are seeking in a partner because you are avoiding it as yourself. What if you have more than one marriage or partnership? To differentiate, skip the 8th house and go to the 9th house. 7th/9th illustrate your second committed relationship. Skip the 10th and go to the 11th. The 7th/11th is your third committed relationship. More? Busy little beaver aren't you? Do the same routine: skip/choose. Just skip a house, go to the next one and join it to 7th. This combination should describe each individual person it represents.
Children of all varieties Children are thought to be a 5th house issue. These would be natural children of the body (kids) or the mind (creativity). The oldest child is also described by the 5th. The second child would be the 7th along with the 5th. This 7th house child would be most like your spouse. The third child would be the 9th along with the 5th, and so forth around the chart. If you were to have 5 children, the 5th child would be most like you because that child would be represented by the 5th and the 1st houses. Children of your spouse, adopted children, fostering of children are each represented by your 11th house. Same procedure, maintain the base house but do the skip/choose procedure for each individual. Spouses of your children would be shown by the 7th (partner) of the 5th and additional house influence (child).
One last "child" that may be found in the 5th house could be small pets. Large animals such as horses or elephants are read from the 12th house. We all know people who treat their pets as a child with wraps or costumes, who may eat from your plate, considered a member of the family, be the recipient of lots of baby talk, etc. I am not talking about the ordinary affectionate position of a pet within a family. There should be plenty of emotion and caring for any pet. As you know, some pet owners go beyond even that. With some you may find the 5th house is active or gives a better description of their pet, particularly if there are no natural children or are there are children but they are not available to the person. The pet becomes their child.
Grandchildren A child of your child, your grandchild, is the 5th house from the 5th house or the 9th house for all grandchildren and particularly the first one. Again the skip/choose procedure applies for each additional grandchild The child of your spouse belongs with the 5th from the 7th or the 11th house as its base and skip/choose applies here as well.
Siblings and Partners Do you have siblings? They are a 3rd house issue, all of them. However, we must differentiate for individuality. All siblings and particularly the oldest one are 3rd house. The next in age is the 3rd and the 5th in combination. The next in age is the 3rd and the 7th in combination. Each succeeding sibling would maintain the 3rd and add the next 2nd house skip/choose jump (skip the 8th and go to the 9th). This is how you would look at siblings in general and specific siblings in particular. The partners of your siblings are shown by the house opposite the one chosen for that sibling.
Siblings of Spouse and Their Partners If you were seeking information on the siblings of your spouse, look to the 3rd of the 7th, which is the 9th. This is often referred to as the general in-law house as well. Again the 9th would be all siblings of your spouse particularly the oldest one. Do the same skip count as your own direct siblings, the second oldest sibling of your spouse would be the 9th/11th, and so forth. The partners of your partner's siblings are showy by the house opposite the one chosen for the siblings of the spouse.
Cousins, Aunts and Uncles of all varieties Cousins fall into the same house arrangement as your siblings (3rd). A spouse's cousins fall into the same house arrangement as their siblings (9th). Your own aunts and uncles have their basis in the 6th house, same counting arrangement. Your spouse's aunts and uncles have their basis in the 12th house, same counting arrangement.
In Brief We have looked at the generalities of the houses to establish a reasonable base for understanding our relationships with others, specifically those we consider our family. We then moved on to the relationships we form and how to find them in the wheel. You must start with yourself because you will always be one end of any relationship possibility in your own life. The other end will be one of a number of relatives. In brief:
? siblings and cousins = 3rd house
? parents = 4th/10th houses
? grandparents = 1st/7th houses.
? natural children = 5th house
? foster or adopted children = 11th house
? spouses of your natural children = 11th house
? aunts and uncles = 6th house
? spouse or partner = 7th house
? spouse's children = 11th house
? grandchildren and in-laws in general = 9th house
? multiples of births or marriage are delineated by the skip/choose house count
. Obviously you will have more and different kinds of relationships as we have explored only the family in this article. Please re-read this article as many times as necessary to clarify. This technique is not the easiest task to do and it will take you a little time to learn. For additional assistance look to articles or information on derivative house systems.
Recommended reading: the three previous articles in this series
Where do You Find Mom and Dad in a Chart? The Parental Axis Parents - Who and Where is Mom in a Chart? - The Maternal Issues Parents - Who and Where is Dad in a Chart?
Marilyn Muir, author, "Presidents of Hope and Change: Bringing Hope to our Future by Reaching into our Astrological Past." How astrology predicts our nation's future by reaching into our past. Jefferson, Lincoln, Kennedy, Obama... The Lineage of Hope Using the influential and interwoven cycles of Jupiter, Saturn, Neptune, Uranus and Pluto to predict issues and trends up to 2012 and even beyond to 2025, Ms Muir leaves us with the clear message of hope as she depicts the future of President Obama at the helm of the USA ship of state. Read the first 36 pages (PDF) including the charts of all four Presidents - you'll get hooked!
http://www.marilynmuir.com
In previous articles I have written about the parental axis, the 4th/10th houses of any sky map, as well as the individual maternal and paternal roles. However, the family is not just our parents or lack of them. Each of us has a long, rich history within our family, good guys and bad guys. There is a genetic heritage. Yes we can see the physical characteristics that are handed down through the gene pool. But there is far more than what we inherit from our families on other levels. I am exploring this family astrological heritage step by step through a series of articles.
Any sky map is constructed with the earth (on which we all exist) in the center and the cosmic energy pattern existing around that central core. If we were on the Moon, sky maps would be constructed with the Moon in the center. On Mars, Mars would be in the center, etc. The wheel shape is called "the chart" and the divisions are called "houses." There are 12 divisions of the houses just as there are 12 sign divisions for the zodiac. The signs show mannerisms, expressions and are descriptive in nature. The houses illustrate 12 compartments or arenas of physical experience. Each of those twelve houses therefore must contain numerous issues and also the people in your life. The whole of the wheel maps the whole of your life, every single thing. The trick is to learn to read that sky map successfully, which can be more involved than it seems. Our focus for this article will be on the people represented by the houses, particularly the members of your family.
Houses General house information will help us reach the point where we can see the validity of the people representations. Remember that the 12 houses begin with the ascendant and are listed counter-clockwise from that point around the wheel. Psychologist Carl Jung divided human expression into four categories: intuition, emotion, sensation, and thought. In brief:
? The left half of the wheel (rising planets) represents the development or the interests of self.
? The right half of the wheel (setting planets) represents involvement with others or the interests of others.
? The bottom half of the wheel represents the time from dusk to dawn, the introspective, internalized, reflective self.
? The top half of the wheel represents the time from dawn to dusk, the externalized, participatory, extroverted self.
? The four angles of the house wheel represent the point of beginning for each of the four quadrants of the chart.
? The general activity of all four chart quadrants are in this order from the Yung perspective: intuition, emotion, sensation, thought.
? The ascendant is the angle that begins the personal, subjective first three houses of intuition (1, 2, 3).
? The IC or 4th cusp is the angle that begins the subjective, other involved next three houses of emotion (4, 5, 6).
? The descendant is the angle that begins the external, other involved three houses of sensation (7, 8,9).
? The midheaven is the angle that begins the external, self-interest three houses of thought (10, 11, 12).
These few sentences describe the hemisphere and quadrature influence of houses. In addition,
? The angular house for each quadrant is dynamic active, visible, directly related to the individual.
? The succeedent house follows the angular house in each quadrant (succeeds the angle) and represents establishing, building, formalization of that quadrant's issues.
? The cadent house follows the succeedent house and represents adaptation and promotion.
? In brief, the angular house activates, the succeedent house formalizes, the cadent house promotes the issues of a quadrant.
? The round of the three types of houses begins again at the next angle.
There is one more explanation of the cadent house that will help you understand its role better. Adaptation is the key word here because the dynamic influence of the angle is followed by the establishment influence of the succeedent house, which is a logical sequence for experience. However, it would be difficult to move from building brick by brick (establishment) to the dynamic activity of an angle because form would tend to resist the initiation of something new. The cadent houses bridge this gap between the establishing principal of one grouping of three houses (quadrature). and the dynamic principal at the beginning of the next grouping of three houses (quadrature). Using this rationale:
? The 3rd house bridges (adapts) the subjective self-aware first quadrant as it encounters the subjective awareness of others or emotional quadrant initiated by the 4th house. Intuition gives way to emotion.
? The 6th house bridges (adapts) the subjective awareness of others quadrant as it encounters the objective awareness of others or sensation quadrant initiated by the 7th house. Emotion gives way to sensation.
? The 9th house bridges (adapts) the objective awareness of others quadrant as it encounters the objective awareness of self or thought quadrant initiated by the 10th house. Sensation gives way to thought.
? The 12th house bridges (adapts) the objective awareness of self quadrant as it encounters the subjective awareness of self or intuition quadrant initiated by the 1st house. Thought gives way to intuition.
? The cadent houses are therefore key to understanding the point of flux, adaptation, bridging within the chart and are definitely more important than surface reading would indicate.
If you will add this information on the houses with what you already know about the houses, this material should add a layer to your understanding. Read slowly and re-read as necessary.
People of the Houses Who are the people represented by the houses? Everyone in your life is in that wheel somewhere. We will begin with the four angles and the technique we will use is the derivative house system or what I call "wheeling the houses."
Self Many are aware that the cusp of the first house is called the ascendant and represents the physical presence of the person or entity represented by that sky map. Much of the descriptive reading about a person comes from that cusp and that house as well as that person's personal projection, response to its environment and coping skills. This is how the world sees us, through the filter of the sign on the ascendant and the planets in the first house. In brief, the first house and its cusp represents the most personal point of the physical self, the "me" point of the wheel.
Partner Diametrically opposed to the ascendant is the descendant or 7th house. This is the point of the chart that is farthest from the point of self and may be described as the not self or the shadow self. This point represents the qualities we do not want to embrace and that we project onto another (partner). It is interesting that this represents the point of committed or contractual partnerships whether those relationships are personal (such as marriage) or business (such as partnership). Our committed partner is supposed to represent all the things we do not choose to express. What action do we do at this cusp? We commit to a person, walk into a house, lock the door behind us and attempt collectively to turn the house into a home. The way to a successful conclusion is to learn from that partner and embrace our own lesson. That way we can be with a person because we choose to, not because we must go to school with them as teacher.
Parents The 4th/10th axis (cusps) represents our parents (or lack of them), the parental roles themselves. I want to back up for a moment and mention that this pair of houses is called the security axis and represents our internal and our external security needs. Our parents are supposed to fulfill that role or to at least prepare us for that role. There is a great deal of controversy as to which parent belongs in which of the two houses. I did cover that concept in three previous articles so I will not repeat that information here. Briefly, the 4th house parent's job is to offer internal, subjective security, also known as the family. The 10th house parent's job is to offer or prepare us for external, objective security, also known as making our way in the world successfully. Some people get lucky and the parents fulfill their roles well. Some people are not so lucky because dysfunction exists which can cause the individual lifelong problems. Not every parent is equipped for the role they have chosen. Some people take the lemons they received from their particular spin of the parental wheel and they make lemonade. I encourage that.
So far we have ourselves (ascendant), our partner (descendant), our parents (both, either, or). What about all the other people that comprise our families? Where can they be found in the wheel?
Grandparents The parents have been shown to be the 4th (and its axis partner 10th) from the 1st house of self. Where are the parents of your parents? They must be located in the 4th house from your parent cusp. You always count starting with the house you are questioning, such as the 4th house parent. Put your finger on that house counting "one" then count forward (counter-clockwise) one house at a time until you reach the 4th house of that 4th parent. That would be the 7th house. The same action would be taken for the 10th house parent but it is unnecessary to repeat the exercise, just look to the axis partner of the 7th or the 1st (you). So your grandparents (you have four) are found on the ascendant/ descendant axis. There are only two houses in this count, so two grandparents belong in one house and two belong in the other. It will take a little work on your part to sort this out, but this is where you go to find the answers.
You will probably have genetic hand-me-downs from your grandparents. Two will have great similarities to you, those who are represented by the 1st house and ascendant. Two will seem less related as they occupy your 7th house of not-self. That probably is part of the generation gap. Physical and non-physical characteristics from those grandparents will evidence in you just as you will pass on certain characteristics to your grandchildren. My deceased father's contribution to my kids and my grandkids is a specific sense of humor. My mother's love for dancing and music has shown up as well in my kids and my grandkids as has my paternal grandmother's beautiful singing voice. My parents and their parents are alive and well in the genetic contribution they gave us all within our family. Thank you for the gifts.
Partner's parents and grandparents What if you marry? The 7th house will describe your partner and your marriage. It should tell you what and who you are looking for, what you want someone else to do in place of you, and what you are not comfortable with within yourself. At times you are grateful. At other times you will fight the process (and the person). That partner has parents and so those parents will be the 4th from the 7th (and its partner) and we are again back to the 4th/10th axis in the chart. Hmmm. So far we are getting a large number of people in very few houses. Perhaps that will help explain why astrologers concentrate on the angular houses. Hang in there, we will move outside the 4th/10th axis shortly. Your spouse has grandparents (4) as well and they will be shown by the 4th of the parent or the ascendant/descendent axis. Getting crowded isn't it? Again, this can take some effort but this is where you begin.
Multiple Partnerships All committed relationships are a 7th house issue. It illustrates what you are seeking in a partner because you are avoiding it as yourself. What if you have more than one marriage or partnership? To differentiate, skip the 8th house and go to the 9th house. 7th/9th illustrate your second committed relationship. Skip the 10th and go to the 11th. The 7th/11th is your third committed relationship. More? Busy little beaver aren't you? Do the same routine: skip/choose. Just skip a house, go to the next one and join it to 7th. This combination should describe each individual person it represents.
Children of all varieties Children are thought to be a 5th house issue. These would be natural children of the body (kids) or the mind (creativity). The oldest child is also described by the 5th. The second child would be the 7th along with the 5th. This 7th house child would be most like your spouse. The third child would be the 9th along with the 5th, and so forth around the chart. If you were to have 5 children, the 5th child would be most like you because that child would be represented by the 5th and the 1st houses. Children of your spouse, adopted children, fostering of children are each represented by your 11th house. Same procedure, maintain the base house but do the skip/choose procedure for each individual. Spouses of your children would be shown by the 7th (partner) of the 5th and additional house influence (child).
One last "child" that may be found in the 5th house could be small pets. Large animals such as horses or elephants are read from the 12th house. We all know people who treat their pets as a child with wraps or costumes, who may eat from your plate, considered a member of the family, be the recipient of lots of baby talk, etc. I am not talking about the ordinary affectionate position of a pet within a family. There should be plenty of emotion and caring for any pet. As you know, some pet owners go beyond even that. With some you may find the 5th house is active or gives a better description of their pet, particularly if there are no natural children or are there are children but they are not available to the person. The pet becomes their child.
Grandchildren A child of your child, your grandchild, is the 5th house from the 5th house or the 9th house for all grandchildren and particularly the first one. Again the skip/choose procedure applies for each additional grandchild The child of your spouse belongs with the 5th from the 7th or the 11th house as its base and skip/choose applies here as well.
Siblings and Partners Do you have siblings? They are a 3rd house issue, all of them. However, we must differentiate for individuality. All siblings and particularly the oldest one are 3rd house. The next in age is the 3rd and the 5th in combination. The next in age is the 3rd and the 7th in combination. Each succeeding sibling would maintain the 3rd and add the next 2nd house skip/choose jump (skip the 8th and go to the 9th). This is how you would look at siblings in general and specific siblings in particular. The partners of your siblings are shown by the house opposite the one chosen for that sibling.
Siblings of Spouse and Their Partners If you were seeking information on the siblings of your spouse, look to the 3rd of the 7th, which is the 9th. This is often referred to as the general in-law house as well. Again the 9th would be all siblings of your spouse particularly the oldest one. Do the same skip count as your own direct siblings, the second oldest sibling of your spouse would be the 9th/11th, and so forth. The partners of your partner's siblings are showy by the house opposite the one chosen for the siblings of the spouse.
Cousins, Aunts and Uncles of all varieties Cousins fall into the same house arrangement as your siblings (3rd). A spouse's cousins fall into the same house arrangement as their siblings (9th). Your own aunts and uncles have their basis in the 6th house, same counting arrangement. Your spouse's aunts and uncles have their basis in the 12th house, same counting arrangement.
In Brief We have looked at the generalities of the houses to establish a reasonable base for understanding our relationships with others, specifically those we consider our family. We then moved on to the relationships we form and how to find them in the wheel. You must start with yourself because you will always be one end of any relationship possibility in your own life. The other end will be one of a number of relatives. In brief:
? siblings and cousins = 3rd house
? parents = 4th/10th houses
? grandparents = 1st/7th houses.
? natural children = 5th house
? foster or adopted children = 11th house
? spouses of your natural children = 11th house
? aunts and uncles = 6th house
? spouse or partner = 7th house
? spouse's children = 11th house
? grandchildren and in-laws in general = 9th house
? multiples of births or marriage are delineated by the skip/choose house count
. Obviously you will have more and different kinds of relationships as we have explored only the family in this article. Please re-read this article as many times as necessary to clarify. This technique is not the easiest task to do and it will take you a little time to learn. For additional assistance look to articles or information on derivative house systems.
Recommended reading: the three previous articles in this series
Where do You Find Mom and Dad in a Chart? The Parental Axis Parents - Who and Where is Mom in a Chart? - The Maternal Issues Parents - Who and Where is Dad in a Chart?
Marilyn Muir, author, "Presidents of Hope and Change: Bringing Hope to our Future by Reaching into our Astrological Past." How astrology predicts our nation's future by reaching into our past. Jefferson, Lincoln, Kennedy, Obama... The Lineage of Hope Using the influential and interwoven cycles of Jupiter, Saturn, Neptune, Uranus and Pluto to predict issues and trends up to 2012 and even beyond to 2025, Ms Muir leaves us with the clear message of hope as she depicts the future of President Obama at the helm of the USA ship of state. Read the first 36 pages (PDF) including the charts of all four Presidents - you'll get hooked!
http://www.marilynmuir.com
Oct 30, 2010
Is it murder or nurture? Free access to music may not be as simple as giving power to the people
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Sound Mind:
A Classical Music Blog
John Terauds started at the Toronto Star as a freelance writer in 1988, and has been on staff since 1997. He began writing on classical music in 2001, and has been the full-time classical music critic since 2005.
He is also the organist and choir director at St. Peter's Anglican Church, a parish founded in 1863 in downtown Toronto.
If he's not listening to, writing about or playing music, it means he's either asleep, unconscious, walking his dog -- or all of the above. Subscribe to this blog's feedFollow him on TwitterRead more by John TeraudsRecent CommentsClassical BlogsAlex Ross: The Rest Is Noise
Anthony Tommasini
Greg Sandow
Jessica Duchen
Joshua Kosman: On a Pacific Aisle
La Scena Musicale
Richard Morrison
Classical LinksAllAboutOpera.Com
Arts & Letters Daily
BBC Music Magazine
Canadian Music Centre
Classical DJ
Diapason
Dilettante Music
Gramophone
Medici.tv
Musbook
CategoriesAnniversariesAsiaBaroqueBooksCanadaCDCelloChamber MusicChoralCrossoverCurrent AffairsDVDEarly MusicEuropeFilmFood and DrinkGamesHistoryInterviewMultimediaMusicNew MusicNewsOperaOrganOverheardPeriod PerformancePianoReligionScienceSymphonyTelevisionTravelUnited StatesViolinVoiceWeb/TechWeblogsWorld MusicArchivesOctober 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010More...Related LinksToday's Online News
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? Tonight's concert pick: Vivaldi meets Glass in a four-season string spectacular at Roy Thomson Hall |Main| Opera and film director Franco Zeffirelli grants candid at-home interview to author Jasper Rees ?10/27/2010Is it murder or nurture? Free access to music may not be as simple as giving power to the peopleAnyone who has been following this blog would know that I'm a big fan of free access to quality music. I regularly point readers to no-cost webcasts and free-admission live concerts. I think of these things as free samples that may seduce the otherwise timid listener into a passionate affair with a composer or performer or, even, an entire genre of music. I also think of them as a way for people with limited means to access concerts and operas that they would otherwise not be able to afford.
A few weeks ago, I spoke to the members of an association of Toronto music presenters. Afterward, one member suggested I read a book: You Are Not a Gadget, by one of the American founders of the Internet (to oversimplify), Jaron Lanier. It was published earlier this year by Knopf (here is the link to the paperback edition, which is due out in February).
Unlike the rest of us, who are caught in the middle of it, Lanier has been around the Web long enough to get some perspective on it. And what he sees isn't pretty, especially in how it devalues news and music through people's demand that as much of it as possible be free.
Yes, new models of making music and news pay for themselves are supposed to arise from this new way of disseminating it. But, as Lanier points out, the average freelance musician and freelance writer still cannot pay for food or shelter from supplying content to the Internet.
I haven't finished the book (which I'm going through in little bedtime chunks in between required-for-work reading) and I don't know what to make of it yet. But Lanier is great at provoking thought.
Here's a sidebar passage to consider from Chapter 5: The City is Built to Music:
If we choose to pry culture away from capitalism while the rest of life is still capitalistic, culture will become a slum. In fact, online culture increasingly resembles a slum in disturbing ways. Slums have more advertising than wealthy neighborhoods, for instance. People are meaner in slums; mob rule and vigilantism are commonplace. If there is a trace of 'slumming' in the way that many privileged young people embrace current online culture, it is perhaps an echo of 1960s counterculture.
Here, to play us home, is classical guitarist Ronny Cameron, in the tunnel that connects the two Spadina subway stations:
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Sound Mind:A Classical Music Blog
John Terauds started at the Toronto Star as a freelance writer in 1988, and has been on staff since 1997. He began writing on classical music in 2001, and has been the full-time classical music critic since 2005.
He is also the organist and choir director at St. Peter's Anglican Church, a parish founded in 1863 in downtown Toronto.
If he's not listening to, writing about or playing music, it means he's either asleep, unconscious, walking his dog -- or all of the above. Subscribe to this blog's feedFollow him on TwitterRead more by John TeraudsRecent CommentsClassical BlogsAlex Ross: The Rest Is Noise
Anthony Tommasini
Greg Sandow
Jessica Duchen
Joshua Kosman: On a Pacific Aisle
La Scena Musicale
Richard Morrison
Classical LinksAllAboutOpera.Com
Arts & Letters Daily
BBC Music Magazine
Canadian Music Centre
Classical DJ
Diapason
Dilettante Music
Gramophone
Medici.tv
Musbook
CategoriesAnniversariesAsiaBaroqueBooksCanadaCDCelloChamber MusicChoralCrossoverCurrent AffairsDVDEarly MusicEuropeFilmFood and DrinkGamesHistoryInterviewMultimediaMusicNew MusicNewsOperaOrganOverheardPeriod PerformancePianoReligionScienceSymphonyTelevisionTravelUnited StatesViolinVoiceWeb/TechWeblogsWorld MusicArchivesOctober 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010More...Related LinksToday's Online News
TheStar.com
More Star Blogs
TheStar.com Photos
TheStar.com Videos
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Advertisement
Legal NoticeTheStar.com
Copyright Toronto Star Newspapers Limited. All rights reserved. The views expressed are those of the writer and do not necessarily reflect the views of the Toronto Star or www.thestar.com. The Star is not responsible for the content or views expressed on external sites.Distribution, transmission or republication of any material is strictly prohibited without the prior written permission of Toronto Star Newspapers Limited.
For information please contact us using our webmaster form. www.thestar.com online since 1996. thestar.com Corrections Contact Webmaster FAQ Site Map Toronto Star About Subscribe Subscribe Self Service Contact Us News Releases Star Internships Careers at TheStar.com Advertise with us Media Kit Online Advertising Print Advertising Special Sections Initiatives Santa Claus Fund Fresh Air Fund Classroom Connection Community Giving Stay up to date RSS Feeds Twitter Updates News Alerts Newsletters Mobile Devices parentcentral.ca wheels.ca yourhome.ca toronto.com pages of the past Stock photos New in Homes more
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Career-boosting Young Concert Artists organization is celebrating its 50th anniversary
Sound Mind - A Classical Music Blog Beta Toronto Edition Login/Register Weather wheels.ca healthzone.ca yourhome.ca parentcentral.ca toronto.com thestar.com Web find a business Home News GTA Opinion Business Sports A & E Living Travel Columns Blogs More ? Autos Careers Classifieds Deaths Real Estate Diversions Acts of Kindness Sudoku Crosswords Bridge Results Contests Lotteries Comics TV Listings Horoscopes Public Editor Public Editor Columns About the Public Editor Recent Corrections Report an Error Stay up to date RSS Feeds Twitter Updates News Alerts Newsletters Mobile Devices Other sites: toronto.com parentcentral.ca yourhome.ca healthzone.cawheels.ca flyerland.ca goldbook.ca starauctions.ca insurancehotline.com wonderlist.ca collapse Site map Home Blogs Sound Mind - A Classical Music Blog Your comment could not be posted. Error type: Your comment has been saved. Comments are moderated and will not appear until approved by the author. Post another commentThe letters and numbers you entered did not match the image. Please try again.![]()
Sound Mind:
A Classical Music Blog
John Terauds started at the Toronto Star as a freelance writer in 1988, and has been on staff since 1997. He began writing on classical music in 2001, and has been the full-time classical music critic since 2005.
He is also the organist and choir director at St. Peter's Anglican Church, a parish founded in 1863 in downtown Toronto.
If he's not listening to, writing about or playing music, it means he's either asleep, unconscious, walking his dog -- or all of the above. Subscribe to this blog's feedFollow him on TwitterRead more by John TeraudsRecent CommentsClassical BlogsAlex Ross: The Rest Is Noise
Anthony Tommasini
Greg Sandow
Jessica Duchen
Joshua Kosman: On a Pacific Aisle
La Scena Musicale
Richard Morrison
Classical LinksAllAboutOpera.Com
Arts & Letters Daily
BBC Music Magazine
Canadian Music Centre
Classical DJ
Diapason
Dilettante Music
Gramophone
Medici.tv
Musbook
CategoriesAnniversariesAsiaBaroqueBooksCanadaCDCelloChamber MusicChoralCrossoverCurrent AffairsDVDEarly MusicEuropeFilmFood and DrinkGamesHistoryInterviewMultimediaMusicNew MusicNewsOperaOrganOverheardPeriod PerformancePianoReligionScienceSymphonyTelevisionTravelUnited StatesViolinVoiceWeb/TechWeblogsWorld MusicArchivesOctober 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010More...Related LinksToday's Online News
TheStar.com
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Legal NoticeTheStar.com
Copyright Toronto Star Newspapers Limited. All rights reserved. The views expressed are those of the writer and do not necessarily reflect the views of the Toronto Star or www.thestar.com. The Star is not responsible for the content or views expressed on external sites.Distribution, transmission or republication of any material is strictly prohibited without the prior written permission of Toronto Star Newspapers Limited.
For information please contact us using our webmaster form. www.thestar.com online since 1996. thestar.com Corrections Contact Webmaster FAQ Site Map Toronto Star About Subscribe Subscribe Self Service Contact Us News Releases Star Internships Careers at TheStar.com Advertise with us Media Kit Online Advertising Print Advertising Special Sections Initiatives Santa Claus Fund Fresh Air Fund Classroom Connection Community Giving Stay up to date RSS Feeds Twitter Updates News Alerts Newsletters Mobile Devices parentcentral.ca wheels.ca yourhome.ca toronto.com pages of the past Stock photos New in Homes more ? Copyright Toronto Star 1996-2009 Terms & Conditions Privacy Policy
Toronto Edition Login/Register Weather wheels.ca healthzone.ca yourhome.ca parentcentral.ca toronto.com thestar.com Web find a business Home News GTA Opinion Business Sports A & E Living Travel Columns Blogs More ? Autos Careers Classifieds Deaths Real Estate Diversions Acts of Kindness Sudoku Crosswords Bridge Results Contests Lotteries Comics TV Listings Horoscopes Public Editor Public Editor Columns About the Public Editor Recent Corrections Report an Error Stay up to date RSS Feeds Twitter Updates News Alerts Newsletters Mobile Devices Other sites: toronto.com parentcentral.ca yourhome.ca healthzone.cawheels.ca flyerland.ca goldbook.ca starauctions.ca insurancehotline.com wonderlist.ca collapse Site map Home Blogs Sound Mind - A Classical Music Blog ? back to Sound Mind - A Classical Music Blog
? On TV tonight: Why Canada Council Instrument Bank competition is like no other |Main| The rich biographical soil of Glenn Gould's life and art is quickly being depleted by over-farming ?10/24/2010Career-boosting Young Concert Artists organization is celebrating its 50th anniversaryCanadian violinist Scott St. John and the St. Lawrence String Quartet have more than each other in common: they are also alumni -- from different years -- of the annual Young Concert Artists Inc. competition.
The New York City-based organization, which is dedicated to giving promising young talents a practical career boost, is celebrating its 50th anniversary as it prepares for its next round of competitors,arriving in just over a week.
Guelph-based freelancer writer Marcia Adair wrote an excellent feature on Young Concert Artists for today's Los Angeles Times. It's an inspirational read.
Here is a promotional trailer the organization prepared for its anniversary:
Posted by John Terauds at 09:22:38 PMin Anniversaries, Cello, Chamber Music, Current Affairs, Music, News, Piano, United States, Violin Save to Delicious Digg This Reblog TrackBackTrackBack URL for this entry:
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Sound Mind:A Classical Music Blog
John Terauds started at the Toronto Star as a freelance writer in 1988, and has been on staff since 1997. He began writing on classical music in 2001, and has been the full-time classical music critic since 2005.
He is also the organist and choir director at St. Peter's Anglican Church, a parish founded in 1863 in downtown Toronto.
If he's not listening to, writing about or playing music, it means he's either asleep, unconscious, walking his dog -- or all of the above. Subscribe to this blog's feedFollow him on TwitterRead more by John TeraudsRecent CommentsClassical BlogsAlex Ross: The Rest Is Noise
Anthony Tommasini
Greg Sandow
Jessica Duchen
Joshua Kosman: On a Pacific Aisle
La Scena Musicale
Richard Morrison
Classical LinksAllAboutOpera.Com
Arts & Letters Daily
BBC Music Magazine
Canadian Music Centre
Classical DJ
Diapason
Dilettante Music
Gramophone
Medici.tv
Musbook
CategoriesAnniversariesAsiaBaroqueBooksCanadaCDCelloChamber MusicChoralCrossoverCurrent AffairsDVDEarly MusicEuropeFilmFood and DrinkGamesHistoryInterviewMultimediaMusicNew MusicNewsOperaOrganOverheardPeriod PerformancePianoReligionScienceSymphonyTelevisionTravelUnited StatesViolinVoiceWeb/TechWeblogsWorld MusicArchivesOctober 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010More...Related LinksToday's Online News
TheStar.com
More Star Blogs
TheStar.com Photos
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Advertisement
Legal NoticeTheStar.com
Copyright Toronto Star Newspapers Limited. All rights reserved. The views expressed are those of the writer and do not necessarily reflect the views of the Toronto Star or www.thestar.com. The Star is not responsible for the content or views expressed on external sites.Distribution, transmission or republication of any material is strictly prohibited without the prior written permission of Toronto Star Newspapers Limited.
For information please contact us using our webmaster form. www.thestar.com online since 1996. thestar.com Corrections Contact Webmaster FAQ Site Map Toronto Star About Subscribe Subscribe Self Service Contact Us News Releases Star Internships Careers at TheStar.com Advertise with us Media Kit Online Advertising Print Advertising Special Sections Initiatives Santa Claus Fund Fresh Air Fund Classroom Connection Community Giving Stay up to date RSS Feeds Twitter Updates News Alerts Newsletters Mobile Devices parentcentral.ca wheels.ca yourhome.ca toronto.com pages of the past Stock photos New in Homes more
? Copyright Toronto Star 1996-2009 Terms & Conditions Privacy Policy View the original article here
Oct 22, 2010
YouTube Symphony Redux: Auditions are open for Down Under edition of Worldwide Web orchestra
Sound Mind - A Classical Music Blog Beta Toronto Edition Login/Register Weather wheels.ca healthzone.ca yourhome.ca parentcentral.ca toronto.com thestar.com Web find a business Home News GTA Opinion Business Sports A & E Living Travel Columns Blogs More ? Autos Careers Classifieds Deaths Real Estate Diversions Acts of Kindness Sudoku Crosswords Bridge Results Contests Lotteries Comics TV Listings Horoscopes Public Editor Public Editor Columns About the Public Editor Recent Corrections Report an Error Stay up to date RSS Feeds Twitter Updates News Alerts Newsletters Mobile Devices Other sites: toronto.com parentcentral.ca yourhome.ca healthzone.cawheels.ca flyerland.ca goldbook.ca starauctions.ca insurancehotline.com wonderlist.ca collapse Site map Home Blogs Sound Mind - A Classical Music Blog Your comment could not be posted. Error type: Your comment has been saved. Comments are moderated and will not appear until approved by the author. Post another commentThe letters and numbers you entered did not match the image. Please try again.![]()
Sound Mind:
A Classical Music Blog
John Terauds started at the Toronto Star as a freelance writer in 1988, and has been on staff since 1997. He began writing on classical music in 2001, and has been the full-time classical music critic since 2005.
He is also the organist and choir director at St. Peter's Anglican Church, a parish founded in 1863 in downtown Toronto.
If he's not listening to, writing about or playing music, it means he's either asleep, unconscious, walking his dog -- or all of the above. Subscribe to this blog's feedFollow him on TwitterRead more by John TeraudsRecent CommentsClassical BlogsAlex Ross: The Rest Is Noise
Anthony Tommasini
Greg Sandow
Jessica Duchen
Joshua Kosman: On a Pacific Aisle
La Scena Musicale
Richard Morrison
Classical LinksAllAboutOpera.Com
Arts & Letters Daily
BBC Music Magazine
Canadian Music Centre
Classical DJ
Diapason
Dilettante Music
Gramophone
Medici.tv
Musbook
CategoriesAnniversariesAsiaBaroqueBooksCanadaCDCelloChamber MusicChoralCrossoverCurrent AffairsDVDEarly MusicEuropeFilmFood and DrinkGamesHistoryInterviewMultimediaMusicNew MusicNewsOperaOrganOverheardPeriod PerformancePianoReligionScienceSymphonyTelevisionTravelUnited StatesViolinVoiceWeb/TechWeblogsWorld MusicArchivesOctober 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010More...Related LinksToday's Online News
TheStar.com
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Copyright Toronto Star Newspapers Limited. All rights reserved. The views expressed are those of the writer and do not necessarily reflect the views of the Toronto Star or www.thestar.com. The Star is not responsible for the content or views expressed on external sites.Distribution, transmission or republication of any material is strictly prohibited without the prior written permission of Toronto Star Newspapers Limited.
For information please contact us using our webmaster form. www.thestar.com online since 1996. thestar.com Corrections Contact Webmaster FAQ Site Map Toronto Star About Subscribe Subscribe Self Service Contact Us News Releases Star Internships Careers at TheStar.com Advertise with us Media Kit Online Advertising Print Advertising Special Sections Initiatives Santa Claus Fund Fresh Air Fund Classroom Connection Community Giving Stay up to date RSS Feeds Twitter Updates News Alerts Newsletters Mobile Devices parentcentral.ca wheels.ca yourhome.ca toronto.com pages of the past Stock photos New in Homes more ? Copyright Toronto Star 1996-2009 Terms & Conditions Privacy Policy
Toronto Edition Login/Register Weather wheels.ca healthzone.ca yourhome.ca parentcentral.ca toronto.com thestar.com Web find a business Home News GTA Opinion Business Sports A & E Living Travel Columns Blogs More ? Autos Careers Classifieds Deaths Real Estate Diversions Acts of Kindness Sudoku Crosswords Bridge Results Contests Lotteries Comics TV Listings Horoscopes Public Editor Public Editor Columns About the Public Editor Recent Corrections Report an Error Stay up to date RSS Feeds Twitter Updates News Alerts Newsletters Mobile Devices Other sites: toronto.com parentcentral.ca yourhome.ca healthzone.cawheels.ca flyerland.ca goldbook.ca starauctions.ca insurancehotline.com wonderlist.ca collapse Site map Home Blogs Sound Mind - A Classical Music Blog ? back to Sound Mind - A Classical Music Blog
? National Ballet Orchestra names Toronto's Benjamin Bowman as new concertmaster |Main| Crooked instrument merchants mean you can never let down your guard ?10/14/2010YouTube Symphony Redux: Auditions are open for Down Under edition of Worldwide Web orchestraToronto gets Priscilla, Queen of the Desert on a live stage. Sydney gets the YouTube Symphony, 2011 edition.
Google/YouTube are back with their second attempt to create a global orchestra from virtual scratch, this time leading to rehearsals and a live performance at the Sydney Opera House from March 14 to 20, 2011. Auditions are open for all orchestra sections, plus there is an open instrumental category this year, giving musicians a chance to improvise on the musical tool of their choice, including an intriguing experiment with augmented reality.
San Francisco's Michael Tilson Thomas returns as music director. The instrumental mentors come from the London and Sydney Symphony Orchestras and the Berlin Philharmonic. This year's commissioned piece is from hot San Franciscan Mason Bates, known for his classical-electronica fusions (his YouTube Symphony piece is titled Mothership).
The audition clips have to be in by Nov. 28. All the rules, background information, audition materials and preparation tips from the principals of each orchestra section are being made available on the YouTube Symphony 2011 channel.
Five Canadians won places in the inaugural YouTube Symphony last year, which drew its membership from 30 countries. The number included two Ontarians and one Torontonian, then-20-year-old violist Yunior Lopez, a member of the Annex Quartet.
Here's the promotional video clip for the 2011 edition:
Posted by John Terauds at 07:36:15 AMin Canada, Current Affairs, Music, News, Symphony, Web/Tech Save to Delicious Digg This Reblog TrackBackTrackBack URL for this entry:
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Sound Mind:A Classical Music Blog
John Terauds started at the Toronto Star as a freelance writer in 1988, and has been on staff since 1997. He began writing on classical music in 2001, and has been the full-time classical music critic since 2005.
He is also the organist and choir director at St. Peter's Anglican Church, a parish founded in 1863 in downtown Toronto.
If he's not listening to, writing about or playing music, it means he's either asleep, unconscious, walking his dog -- or all of the above. Subscribe to this blog's feedFollow him on TwitterRead more by John TeraudsRecent CommentsClassical BlogsAlex Ross: The Rest Is Noise
Anthony Tommasini
Greg Sandow
Jessica Duchen
Joshua Kosman: On a Pacific Aisle
La Scena Musicale
Richard Morrison
Classical LinksAllAboutOpera.Com
Arts & Letters Daily
BBC Music Magazine
Canadian Music Centre
Classical DJ
Diapason
Dilettante Music
Gramophone
Medici.tv
Musbook
CategoriesAnniversariesAsiaBaroqueBooksCanadaCDCelloChamber MusicChoralCrossoverCurrent AffairsDVDEarly MusicEuropeFilmFood and DrinkGamesHistoryInterviewMultimediaMusicNew MusicNewsOperaOrganOverheardPeriod PerformancePianoReligionScienceSymphonyTelevisionTravelUnited StatesViolinVoiceWeb/TechWeblogsWorld MusicArchivesOctober 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010More...Related LinksToday's Online News
TheStar.com
More Star Blogs
TheStar.com Photos
TheStar.com Videos
Commenting Guidelines
Advertisement
Legal NoticeTheStar.com
Copyright Toronto Star Newspapers Limited. All rights reserved. The views expressed are those of the writer and do not necessarily reflect the views of the Toronto Star or www.thestar.com. The Star is not responsible for the content or views expressed on external sites.Distribution, transmission or republication of any material is strictly prohibited without the prior written permission of Toronto Star Newspapers Limited.
For information please contact us using our webmaster form. www.thestar.com online since 1996. thestar.com Corrections Contact Webmaster FAQ Site Map Toronto Star About Subscribe Subscribe Self Service Contact Us News Releases Star Internships Careers at TheStar.com Advertise with us Media Kit Online Advertising Print Advertising Special Sections Initiatives Santa Claus Fund Fresh Air Fund Classroom Connection Community Giving Stay up to date RSS Feeds Twitter Updates News Alerts Newsletters Mobile Devices parentcentral.ca wheels.ca yourhome.ca toronto.com pages of the past Stock photos New in Homes more
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Less vs More in Opera: How can composer Benjamin Britten do so much with so little?
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Sound Mind:
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John Terauds started at the Toronto Star as a freelance writer in 1988, and has been on staff since 1997. He began writing on classical music in 2001, and has been the full-time classical music critic since 2005.
He is also the organist and choir director at St. Peter's Anglican Church, a parish founded in 1863 in downtown Toronto.
If he's not listening to, writing about or playing music, it means he's either asleep, unconscious, walking his dog -- or all of the above. Subscribe to this blog's feedFollow him on TwitterRead more by John TeraudsRecent CommentsClassical BlogsAlex Ross: The Rest Is Noise
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? Toronto Estonian film festival profiles contemporary composer Erkki-Sven Tüür at screening this evening |Main| A rare chance tonight to hear veteran violinist and teacher Miriam Fried in a live Toronto recital ?10/17/2010Less vs More in Opera: How can composer Benjamin Britten do so much with so little?How is it that, with the right training, a 50kg person is capable of overpowering someone twice her weight?
That was the analogy I was looking for in trying to describe how Benjamin Britten's spare operatic orchestrations pack as much of a wallop as Richard Strauss's.
I realise this isn't a fair juxtaposition, because Strauss was a generation older and came of age with a different aesthetic. But his name did come up when I was chatting with Steuart Bedford, conductor of the unreservedly amazing Canadian Opera Company production of Britten's Death in Venice, which opened last night in Toronto.
Because of his long working relationship with Britten and his music, Bedford is authoritative. He also has a long freelance career where he has conducted a lot of Mozart operas. I mentioned to him that you can't take a single note out of Mozart opera without upsetting something, and the same is true of Britten's scores. He thought for a second and agreed -- then chuckled and said, "You can't say the same for Richard Strauss, though."
Bedford's reading of the Death in Venice score was mesmerizing last night -- especially in the context of how well the staging was coordinated with the music.
So I thought it might be fun to compare some Britten with Strauss, tossing aside notions of fairness just so we can have an excuse to listen to some engaging operatics.
Here's English baritone Andrew Ashwin singing "In Peace I Have Found my Image" from Britten's chamber opera, Owen Wingrave. Accompanying him is the Vienna Chamber Orchestra led by Daniel Hoyem-Cavazza:
It's not a dramatic piece, but from the sheer richness of the score, I love Strauss' Capriccio. Here's the scene where the characters sing about how ridiculous opera is, brought to us by conductor Ulf Schirmer and the orchestra of the Paris Opera and a fabulous cast that includes Renée Fleming, Anne Sofie von Otter and Gerald Finley:
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Sound Mind:A Classical Music Blog
John Terauds started at the Toronto Star as a freelance writer in 1988, and has been on staff since 1997. He began writing on classical music in 2001, and has been the full-time classical music critic since 2005.
He is also the organist and choir director at St. Peter's Anglican Church, a parish founded in 1863 in downtown Toronto.
If he's not listening to, writing about or playing music, it means he's either asleep, unconscious, walking his dog -- or all of the above. Subscribe to this blog's feedFollow him on TwitterRead more by John TeraudsRecent CommentsClassical BlogsAlex Ross: The Rest Is Noise
Anthony Tommasini
Greg Sandow
Jessica Duchen
Joshua Kosman: On a Pacific Aisle
La Scena Musicale
Richard Morrison
Classical LinksAllAboutOpera.Com
Arts & Letters Daily
BBC Music Magazine
Canadian Music Centre
Classical DJ
Diapason
Dilettante Music
Gramophone
Medici.tv
Musbook
CategoriesAnniversariesAsiaBaroqueBooksCanadaCDCelloChamber MusicChoralCrossoverCurrent AffairsDVDEarly MusicEuropeFilmFood and DrinkGamesHistoryInterviewMultimediaMusicNew MusicNewsOperaOrganOverheardPeriod PerformancePianoReligionScienceSymphonyTelevisionTravelUnited StatesViolinVoiceWeb/TechWeblogsWorld MusicArchivesOctober 2010September 2010August 2010July 2010June 2010May 2010April 2010March 2010February 2010January 2010More...Related LinksToday's Online News
TheStar.com
More Star Blogs
TheStar.com Photos
TheStar.com Videos
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Legal NoticeTheStar.com
Copyright Toronto Star Newspapers Limited. All rights reserved. The views expressed are those of the writer and do not necessarily reflect the views of the Toronto Star or www.thestar.com. The Star is not responsible for the content or views expressed on external sites.Distribution, transmission or republication of any material is strictly prohibited without the prior written permission of Toronto Star Newspapers Limited.
For information please contact us using our webmaster form. www.thestar.com online since 1996. thestar.com Corrections Contact Webmaster FAQ Site Map Toronto Star About Subscribe Subscribe Self Service Contact Us News Releases Star Internships Careers at TheStar.com Advertise with us Media Kit Online Advertising Print Advertising Special Sections Initiatives Santa Claus Fund Fresh Air Fund Classroom Connection Community Giving Stay up to date RSS Feeds Twitter Updates News Alerts Newsletters Mobile Devices parentcentral.ca wheels.ca yourhome.ca toronto.com pages of the past Stock photos New in Homes more
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